Monday, August 04, 2014

Dee Dee Dee: Tenacious D at download festival 2012

Day 2 Band 3

Well, the onslaught of Steel Panther left everyone speechless. While most of the crowd remained pretty much same, there was some amount of shuffling. Some people told me previously that Tenacious D's new album is superb. To be frank I didn't check the album at all because of too much running around before the festival for me. Anyway I am here and waiting for the most rock and roll dude in the Hollywood. You have to give it to Jack Black for being the actor who knows his rock n roll better than the most people. We have already seen him do two kick arse movies on rock and roll. School of rock is easily in my list of the top 10 movies of all times. The movie pumps me up as much a real concert would to rock until every part of my body is sore.
The stage was changed with the poster of a Fenix, which is essentially a pun on penis and phoenix, the bird. As you can see from the picture below their is hardly any subtlety in the artwork, but I am big fan of such artwork. They are touring for their new album which is called "Rise of the Fenix". So they performed about 5-6 songs from their new album starting with  the opening track "Rize of Fenix". Jack Black appears with a white cloak, strumming with acoustic guitars. The crowd starts clapping and there is a rise of a penis shaped bird with balls and wings made up of fire. The sound is very much like classic sound of Tenacious D, Jack Black written all over the music. While they perform this song there were boobs flashing somewhere, Steel Panther left us with a huge hangover and everyone is reaping the fruit of their glorious labour. 


JB and kyle changed to plain Tshirts and full length pants, which was unusual for them, where is the fucking shorts guys? They performed Low hanging fruit as second song.
Before playing next song senorita, JB took out his phone and said,"this is the most incredible crowd I have ever seen, KG say cheese to crowd, I'll text the picture to you." Oh well I am still waiting for my text. The song has lot of strumming and jamming while a huge portion of lyrics are in spanish.
This performance was quickly followed by the Dethstarr, which in JB's words is for planet earth. But the song implies that we will be rocking on deathstar, and we need to build that fucking ship.There was someone dressed as squid on stage for some reason? I don't even know what that was about, I have no idea how that is even related to this song.
A roadie comes on stage to wipe JB's face and giving him a shoulder rub and then JB tells the roadie to get out of there. This one goes out to all the roadies for every band. So now we are seeing a lot of theatrics from JB which we have witnessed in his movies, he is taking the powerstand while finishing this song(The Roadie) with high pitch scream and making that angry funny face.
They performed another slow paced classic rock song Throw down after the roadie. The song followed with a short drum solo, which was nice to see from someone other than Dave Grohl. Dave Grohl was not touring with them this time sadly.
 At this moment the sun comes out in Sky and JB says, "Gorgeous sun for the Gorgeous crowd". Loud applause at this point.
At this very point they performed another sexy song, Kielbasa. Fuck yeah!!!! oh yeah!!!! The dropping rhythm and those guitars were superb. Currently one of my favourite songs.

As if this was not enough, it followed with
 A long ass fuckin' time ago,
In a town called Kickapoo,
There lived a humble family
Religious through and through.
But yay there was a black sheep
And he knew just what to do.

Holy shit, the song with DIO(*RIP \m/).
JD goes the brisk walk when he performs his part and KG sings as his dad. JB sings for Dio's part. The song ends with a long ass vibrato  Rock. Rah-ha-ha-ha-hock. Raye-yayayayaye-yock a lot of strumming by KG. The band takes a bow, what a fucking performance!

So JD asks the crowd next about what is the hardest from of Rock, everyone knows it is the Metal(for all you genre Nazis, shut up!). And he asked how many of you like Metal here? Oh well!!! enough to make the whole place echo with the word Metal. He said it is a great honour to perform at the same stage as Metallica, which would play later on the stage. Playing all the cards right, JB. So they performed "The metal" next, which is different from most of Tenacious D songs, with lot of electronic guitar with heavy riffs and fast drumming.
JB: "Dude, KG looks like something is happening to our guitarist. Oh god he looks possessed". Oh My Gawd, we know what time it is? This is time for some Beelzeboss and his final showdown. JB and KG goes, "FUUCCCKKKK!!!!" and the devil goes "Yes, you are fucked and my cock you will suck!". The song I was waiting for most, fucking amazing guitars, the brief drum solo and all the glorious singing. I wish I could re-live the song again today. I seriously need to see Tenacious D soon again. I love this freaking band.
Next they jumped to hilariously titled ironic song "fuck her gently", a great melodious song apparently romantic but holy shit the lyrics.  A lot of high pitch screams from JB on this particular one, I really like that style of singing, reminds me of the metal god, Robert Halford.
JB says me and my brother KG here came with this song when meeting the devil. Next song was "the Tribute", almost everyone in the audience was singing along word by word. 
We looked at each other and said "OKAY"
 And we played the first thing that came to our heads,
Just so happened to be,
The Best Song in the World, it was The Best Song in the World."

 The song is roller coaster ride with brilliant chorus and going low with all the commentary and high with all the high pitch singing. Somewhere down the road JD goes "oh ahh rak pak gi gig gig gi gi". There are some good riffs and drumming but it is mostly singing and strumming which makes this song shine.
The hands were raised in the air clapping with the song. Someone somewhere showed more boobs(oh thank you Steel panther again).

The next song begins somewhere along JB talking, this one was called Double team. Seriously good composition with lot of complex riffs. JB introduces the greatest bass player of all times John Spiker(ok, that line is getting old) and the bass dude does some seriously wicked Bass solo.

So JB now starts talking again he says, " I must say I thoroughly enjoy rocking you, the closest the man can come to rocking is making love. Today we have made love to your ears and hopefully you will have multiple eargasms. I am satisfied and I love this entire nation." Now the Fenix bows down and there are papers coming out of the Fenix which is basically orgasming at this point.  They finish with a lot of bowing and waving from JB and KG. Gosh, I am in sudden urge of seeing Tenacious Dee again.

Tuesday, July 29, 2014

Find of the festival: Municipal waste live at bloodstock 2013

I have never in my life seen a moshpit starting before the band is even on the stage. That my friend is power of thrash and this outfit is one of the quintessential thrash metal band, which will just ram more and more thrash in your face as long as you keep chanting "Municipal waste is gonna fuck you up!". The chant was audible along the mosh pit, it was the war cry of the gig, a welcome prelude for their grand entrance. I was told that this is a pretty kick arse band and I should definitely check them out. As of now I really fully understand this band very well, but back then I had no clue who they were, what were they up to and what their music was like.
But as I would like to point out this band is my find of this festival and a very good find. I can listen to them for good amount of time. Initially their songs sounded same to me, which is pretty much true for any specialised genre at the beginning, but you need a lot of listening to find the distinction and appreciate the effort they have put in various songs. Municipal waste are comparatively newer to thrash scene and have a whole fresh take at the genre. Their songs are short and fast. In an interview I heard the lead singer saying it is hard to sing for longer duration and he don't really know his unholiness Sire Thomas Araya of Slayer does it.



Another noteworthy item is their poster and their album art is, as it looks like some kind of mutated waste containment unit or something. Pretty much all their albums are about either partying or thrashing or mutation of some kind, which is pretty kick arse theme for a band.
So I didn't know most of their song at that time and since they performed one song after another it was hard to tell which song was being played at the very moment. The performance was very tight, I was standing with my neck down and headbanging through out the whole performance, there was no fucking break.
They performed actually a lot of song for their slot time, which was in middle of the freaking day. This is list of all songs they performed thanks to setlist.fm:
  1. (inc Bass solo)
  2. Born to Party

    Pretty much after every song there was a chant of "Municipal waste is gonna fuck you up". Atleast there were people who knew these guys and understood their songs. I don't remember at this point if they talked to public or what did they say. For the most part of the gig my eyes were on the crowd or just head banging. I had no idea what antics band was upto, but from most of what I can recall there was nothing much but pure thrash coming from stage and simple high octane performance.
    I think somewhere in the end they performed the song "the art of partying" that is when the shit got really hyper. It is the song which have lyrics of "gonna fuck you up". This is one fucking skull crushing song and with face melting performance. The party was fucking at this zenith at this song. I have heard of crowd surfing and moshing wheel chair users. but I saw this myself in this gig. The dude was being pushed by the crowd and raise during one of the song. Totally respect worthy site, I love you all the crazy bloodstock metal head motherfuckers.
    I think another song they talked about was president Obama, which was a hilarious song title but interesting nevertheless.
    That was one of the maddest gig I have ever seen, the whole gig was one large thrash party. Anyway the last song they performed was Born to party, which is another great song form the album of the same title, it can be said that this is the best song to describe the band in one song. Fast, energetic, relentless and overall amazing.  I was too fucking tired by the end of the gig, so I got myself a wurst. I have since then, heard these guys quite a bit and they are now a permanent addition to my thrash list.

Tuesday, July 22, 2014

Metaruuu: Baby Metal live at sonisphere

Ohk well, this was the most anticipated band for me and quite a lot of people to be frank. Everyone was excited to see a Japanese band, which has model of a J-pop girl band and music from a Metal band. In a lot of way this sounds like something, which could totally be wrong with the whole thing to begin with. This is corporate created metal, which is just contradictory to the whole concept of rock n roll, but it might not be first band with such strong corporate backing. I mean, ofcourse ,the bands first earn name for themselves and then become a corporate entity or as they lovingly call them "sell-outs". But I don't know many Metal bands, which have been produced by label companies or other corporate entities. What makes it more interesting is that it has come out of Japan, which has produced some very good Metal bands in the past and lot of garbage corporate non metal music groups.

Anyway, the band started its performance with a good starting intro using Starwar style text and describing "how the gods of metal(Maiden, Metallica, Slayer, Megadeth) wants to pass their torch to newer generation and that newer generation manifests itself as Baby Metal. They should go to Europe because all the road to rock leads to Europe". Well that was some tight marketing and packaging gimmick and I totally bought it. Everyone cheered and applauded when the band came on the stage, with musicians(drummer, guitarist and bassist) dressed in some kind of white Japanese clothes and the performers(singers and dancers) were dressed in small red and black frocks(or whatever the hell it was).

The band was not particularly bad, guitarist and drummer were tight and riffs were good. Later when these three girls started singing and dancing it was all a downhill ride for me. Not that they are bad singers, but it just doesn't fit the whole metal/brutal scene and seems like a terrible cocktail.  Meanwhile I initiated a new trend with some of my Scottish and Welsh buddies  of shouting "Metaruuu" at random times. To make shit more hilarious and ironic, they were moshing to the songs.
They performed following songs(courtesy setlist.fm)
 


At some point during performance they performed this chocolate song and all I can hear is "CHOCO-- CHOCO Letau!! chocoletau!!!!", which is my interpretation of their pronunciation. Another peculiar thing about the whole dance routine was they were making devils horns all wrong, it looked like they were making a shadow puppet sign for a deer. These girls took a break after 2-3 songs and then the musicians performed drum and guitar solos, which was a relief from the whole singing and dancing routine. They were fairly impressive lot. Later these girls came back and performed some other song which sounded like a record stuck in a tape recorder "ta ta ta ta ta.........", seriously that is all I could hear. The bunch was three girls I think two of them younger between 12-14 and older main singer was 14-16. I have heard somewhere when they get too old in J-pop world, the band continues with younger lot and older ones are fired. Seems like same fate might await these chicks in 2-3 years time.






The last gimmick they pulled out was requesting a WALL of DEATH using the same animated large screen display. I don't thing these girls could pull a request for a brutal Wall of Death directly since let's face it they are too KAWAII for that shit! Anywho, crowd was taking a piss, so there was a fucking WALL OF DEATH!!! who knew that would happen.
They ended happily after seeing the crowd response, not sure if they understood what was really going on. But I am happy that these kids were not treated badly as they could have in their first ever gig outside their home country, Metal crowd can be very difficult to please. The crowd dispersed with shits and giggles and there were few who were genuinely impressed and liked the whole thing. Each to their own.

Tuesday, July 08, 2014

Gojira live at sonisphere 2104

This was my third Gojira gig and I am sorry that I have not written the reviews for the last two YET. I have been too lazy and uninspired to write, but may be today I will complete a few. Firstly, let me make a giant claim that Gojira is the greatest thing that ever came out of France. That is indeed a big thing to say since France has given world with many great things and have centuries of glorious history but that has boiled down to Gojira being the final French fruit of labour. Gojira combines the greatness of individual free thinking of French with technical creativity of a heavy metal band combined with deep lyrics and complex musical composition. Gojira is a perfect band, I am not sure why they are not as big as they deserve to be, may be they are too chilled out to go out and sell themselves, but in coming times they are going to become one of the most important heavy metal band of all times. The kind of band, which will inspire upcoming generation of musicians and headline massive festivals.
Anyway on Sunday morning I was hanging out with my bloodstock buddies before heading to Gojira, but I ditched them since I was super eager to see Gojira from the front lines. To make the matter worse I basically ditched some cuties just to line up first for the Gojira. We reached on time, however the arena was not prepared, there were still barriers around and it took them about 15 minutes from the scheduled time to clear the barriers and let the crowd in. To add to the silliness, we ran to the arena as if it was a train leaving the platform, it was great fun. I was shouting "SPARTANS!!!! ATTACK!!!" while running.
So we waited for another 15 minutes before all equipment were set and sound test was being carried out, we were chatting with security folks and asking if they are going to cut down the time, but they said no, but the whole day schedules would be delayed by 20 minutes now.

The band appeared on the stage with Joe Duplantier waving his hands. They didn't say anything they just started with their first song from new Album "L'Enfant Sauvage" the song was called "Explosia". This is the first song of the morning for me, the double bass from twin bass drums were just exploding in my face while Joe running around the stage. I had opportunity to see Joe from 2 meters or so, but I couldn't capture him with the camera because he was running around and not staying in one place. This man is a master vocalist in league with Randy Blythe and Mikeal Akerfedlt. Well given this is Gojira, it goes without saying every blast beat follows a massive mosh pit and windmill headbanging. For me starting this day with such massive metal boner was just icing on the cake. The second song was also from the same album it was called "The Axe", I couldn't tell the name of the song but it is pretty distinct song and you know the riffs and drumming is damn amazing. After finishing the song, Joe came to the mic and asked if everyone is doing well, he is so mild mannered and well spoken that you would never take him for a vocalist of Brutal death metal band, (well not really, most of them are gentlemanly) but this guy has a whole different air of sophistication. He said they are not going to waste any time talking and started "backbone" from  "From Mars to Sirius". The song is pretty fantastic song, I haven't heard it many times to be frank, but that doesn't stop me from enjoying and headbanging to the fullest. He said, this next song is dedicated to the Death Metal fans, I knew what was coming next, THE HEAVIEST FUCKING MATTER OF THE UNIVERSE, one of the greatest song written in 2000s. The mosh grows larger, my windmill goes faster and each double bass and lead makes it all much better. Every hand in the air raising horns to the brutality that was ensuing. Lead guitarist of Gojira was hanging out mostly at the back of the stage playing, however the bassist was in front most of the time. He has those side burns which are so fucking amazing, I wish I can grow it like him, I have tried it in the past but not to great success.  To make matter a bit more sinister, Joe announced another beauty "Flying Whales". The crowd went absolute mental with this song being played. This is a crowd favourite in England. To be frank I don't know lyrics of the most Gojira songs by heart, but this is one song which most people were singing along. I must admit at this point Gojiras drummer is an absolute beast, the dude keeps the speed and tempo to the maximum. Though he is one of the most under rated drummer of current generation, I can easily compare him with likes of Chris Adler, who is easily the best drummer in this generation of Heavy Metal drummers.
And this is not even all, the next song was "L'Enfant Sauvage", this was getting better with each song. Absolutely phenomenal performance. Crowd was roaring with joy. Those sophisticated riffs were just pleasure to the ears and the drum thumps were thrilling the whole body. The last two songs they did were from the album "The way of all Flesh", which is my favourite album. They performed "Toxic Garbage Island" next, which is always the next song in my playlist after my favourite Gojira song, so I am pretty used to this one. The last song they did was "Vacuity", another highly energy filled performance. I enjoyed every bit of the performance.  Joe was talking about getting another album soon and coming back to us again. I cannot fucking wait to see them again. The greatest start for a morning I can think of. Well there is more to come for this sunday if I get down to writing more.






Thursday, April 24, 2014

tl;dr

It has been a long time since I have written anything tl;dr. I will soon muster enough courage to come up with some utter nonsense and talk about it in length. Though in the end it will just add more futility to the effort itself. I might even get bored in the middle and start talking about something completely important and the triviality might not even last for that long. It might actually be more useful piece of crap ever written by me thus contradicting the very purpose of carrying out the whole exercise. But who knows,it was indeed the purpose of text to pretend to be pointless and masquerade itself as gibberish, while speaking about intelligent things with audacity and voraciousness. But it might not be inline with the general ineptitude of being able to do something for a long continuous period of time. The distractions offered while creating such long monologues are far too tempting and it is particularly hard to carry on without being pulled into something else, which requires lot less effort and much less attention. This instant gratification providing medium is thus more important than the one which requires me to keep talking about pointlessness and relish the delicious fruits of labour of thousands of years of hard work done by humanity. These hedonistic ways are true essence of the civilization and they should be accepted and devoured without having reservation about their unsavouriness. While I might just keep piling more random shit over previous intangible shit, it might not be a total waste of effort and time. In the end it might turen out to be a true ploy to attract the relevant audience towards this topic and not worry about the consequences or direction of where this might lead. The worth of all this is just mere pastime or an epilogue to a glorious babble to follow. The action speaks louder than words? or do they? Actions don't speak, they don't have sound or words. They are mute, it is meaningless banter like this, which is loud and is more audible than other, perhaps more important things. So, as it can be seen here that the text continues to be elusive and does not talk about anything of any value to any living soul. The pretext remains totally unknown and the conclusion is abrupt. The ever flowing stream of entropy continues to dominate the very fibre of this discussion. But there is hardly any discussion here, it is all a discourse of trifling significance without any meaning or goal and it continues to do so relentlessly. It renders no results, it achieves nothing and it makes no change to anything. But, here it is written on the whims, for it is but a journey of mundane bullshit.

Tuesday, February 04, 2014

This is Nirvana live @ Intrepid Fox London

Sapota took out his ten year old Kurt Kobain Tshirt just to wear for this occasion. This was nothing like ceremonial or anything but old fashioned nostalgia.


 For some reason Sapota thought the gig started at 7:00 pm and rushed to the venue, but on arrival it was clear the gig was not until 9:00 pm or later. Anyway, found some like minded chit-chatters talking about old school Grunge and Sapota flaunting his Old Nirvana Poster.

Anyway these guys started somewhere after 9:00, they looked like dudes in their 20s, and the dude on vocals for some reason had similar hair(blonde) like Kurt, but I am not sure if that was his real hair colour.
Anyway, they kicked off the gig with Aneurysm and followed with a whole lot of song ,but Sapota can remember following song and in no particular order. They performed Smells like teen spirit,Penny royal Tea, Heart Shaped box, Come as you are, Rape me, All apologies,Polly, Lounge Act, Drain you, The man who sold the world, Where did you sleep last night and lot of other songs.
They were overall very tight, in fact tighter than Nirvana itself(No, you did not just say that?). But then we know grunge has limited appreciation for technical accuracy so it is all immaterial. The vocal dude was playing leads and he was pretty good at it. They changed bass player and drummer for one song each but Sapota cannot recall which song. Sapota sang along most of the song he could, but to his surprise sapota was unable to recall lyrics or was at times unable to recognize even the aforementioned song from the intros. In between when they were playing some of the lesser known songs, Sapota was wondering if they are gonna do any of the above, but it is not surprising that without popular numbers you cannot woo the crowd. Overall it was a good old nostalgic fun. There was some dude who was headbanging as if it was a heavy metal gig. As much as Sapota appreciates a good headbanging, he was surprised at the choice of the music for this young enthusiast. But Sapota told the chick standing next to him that he would like to have whatever the handbanger dude was having and the chick chuckled, Sapota is such a womaniser!!!!!
Sapota was easily pleased with the song Where did you sleep last night and Rape me, it was done so well. They finished with Lithium, never realized that this song was such a powerhouse for a live performance with rapid drumming and fast guitar picking. The fun continued after the gig, the place was crowded. Sapota went to Maoz to get falafel at that very ungodly hour but Sapota is not ashamed of this conduct.

Friday, January 24, 2014

Lamb of God totally killed it @ Brixton Academy

Ok, This time I was about to miss this gig thinking that I have seen LOG twice already and I know the drill so very well that it won't hurt. I will be fine without seeing them and boy, I was so wrong when I thought I have seen the best of LOG. When I arrived at the venue the line was really really long, probably the longest I have seen for any gig. I have changed my telecom service provider from O2, so I cannot use special jump the queue and join the priority queue either. Anyway after seeing a lot of people passing by us, when I finally arrived at the venue this band called as Huntress was performing.  I saw it from a distance before moving into the zone, I was not impressed at all. Though I have heard good things about the band, so we moved closer to the stage, but I was still not all that impressed. When you are in the crowd the vibe catches on and you start enjoying a bit more, it is all contagious. Well to be fair the singer of huntress is pretty damn good, she can pull very high notes. Most metal lead ladies have impressive vocal ranges, but it is easy for ladies to pull soprano ranges and this one in particular did that shrilling sound with a lot of vibrato when she screamed about witches!!! She carried on singing in very high pitch for a long duration, it was damn cool. Technicalities asides, I still cannot get myself to like it; I mean I do not like big players like Angela Gassow or Cristina Scabia and I absolutely hate bands like Nightwish and Delain. I donno why I cannot find female vocalist as kick as Janis Joplin, Debby harry or Joan Baez in Metal scene. They just don't stand out any more. 
Anyway huntress were alright for their kind of gig, they did couple of songs before they did a song called as ¨I want to fuck to.... death" which is written by Lemmy himself and the singer described it as "how fucking romantic!" With loud screams and a lot of thanks you and flying kisses the huntresses finished off. The next on stage were Polish death metallers Decapitated. For voice check the vocalist shouted ¨123Slayerrrr" and I was like did he just..... And then for sound check they played Pantera's walk. Entire auditorium was singing ¨Can you see I am easily bothered by persistence." My god! I knew this is going to get fucking brutal. Ok now a note on nuisances caused by scene teenagers. While I am up for some quality moshing, I am also a believer of  moshing with proper moshing etiquettes like mosh with people who are moshing and don't shove and push everyone around who is just enjoying the show. But this show as full of teenagers whose primary goal in life is moshing after getting hammered, I believe some of them have not even tasted alcohol before in their lives, but hey this is the time to just annoy everyone and act like a dumbfuck. Decapitated performed an electrifying show, they are very technical in nature and absolute tight. I can tell by the music that this band is some very serious shit, the double bass and bass lines were fucking brilliant. One thing which was uncommon was a lot of pre recorded musical interludes, where they disappear from stage and appear with a lead and drum solo few times during the while performance. The lead singer has really really long braids, such that they were hanging lower than his knees. With consistent headbanging you know they are a useful weapon in death metal gig.
Anyway, at this point I was standing in the second row and in the middle of the stage. I knew it was a bad idea in general but I thought I would be fine with some pressure and crushing but second time in a row, I couldn't have been more wrong.
After a lot of chanting "Lamb of God!!! Lamb of God!!! Lamb of God!!!" the stage was darkened and Chris Adler was first to arrive and followed by guitarists and then Randy, who happened to have a beard for some reason. Never seen Randy with a beard. Anyway they kicked off with Desolation and the crowd went absolute mental. I was kicked, shoved, pushed, trampled all at the same time. I somehow thought God, I am going to faint with this much pressure. I had no chance to headbang or do anything I was just being thrown from one spot to another. With next song Ghost walking the crowd became a bit better but as soon as that double bass, leads and scream kicked in, the same thing happened again. I decided to go with the crowd and move away from the centre, but there was no fucking escape. I had no control whatsoever over my movements or my position, everything was on mercy of the crowd. This is first time I have seen how brutal the LOG gig can get, I mean I escaped this pressure in Download and bloodstock, which have much more crowd. But here I was surrounded by half naked teenagers everywhere, whose primary business today was to cause turmoil in the gig. I was running out of breathe and sweating like a dog. Anyway after the song finished Randy introduced the guitarist Paul waggnor from ¨Between the buried and me¨. He said Morton couldn't be here because of a family emergency and for Lamb of God we always maintain Family first and band later. People cheered as it always works in this part of the world. He asked, So how many of you have to work tomorrow? some people raised their hands and some shouted. Well, you know how does it feel to go to work everyday, it is like "taking a walk in hell". So the next song they performed was Walk with me in hell. For me it was quite close to being in hell, since I was still in midst of moshing insanity, which was not stopping even after two songs. Next song was hourglass, which started as soon this one finished without much delay. This time I was a bit outside the pit, I was close to the stage but still in first three rows. Randy started talking about how much he loves England and talks about how England is first country which recognized Lamb of God outside America and everyone of you is fucking Mental. The next song started with those damn Drums, which were shooting blast beats and double bass like an Apache helicopter gunning down with bullets and missiles. This song is called Set to fail, it is set for constant non stop headbanging with insane speed. This was first time in my life when someone's hair were hitting me when the dude was doing the windmill and now I knew how does it feels to be on receiving end. I was still nowhere in position to headbang properly, but I have let myself let freely float in the crowd and move my head and body in rhythm of crowd, it was like I was part of this gigantic cruel wave assimilating metalheads like pacman eating dots, it was majestic. I don't have to balance myself, I don't have to position myself, I don't have to worry about getting hit or fallen, it was all automatic. It was so wonderful that I felt I can live in this euphoria for a long time.
For some reason the whole band went inside and there was no light and it felt that this was bit too early for an encore, but everyone starts shouting Lamb of God!!! Lamb of God!!!. Randy comes back with "Now you have got something to die for". The crowd was a bit less violent now, I can headbang with the right rhythm and pace. The moshpit was still very active but a bit smaller. This time crowd was creating a wall, close to me, I wanted to be a bit away from it. As soon as the drums go wild, people starts running towards each other, just hitting and pushing and all kinds of adrenaline driven craziness. Randy asked the crowd again, how is everyone doing? and crowd howled. Randy was like you guys are so fucking awesome, we love you, this next one is called "undertow". I was utterly tired at this point, I enjoyed the great riffs and screams and insane drumming heavily. It was all a great treat to enjoy in this overcharged sweaty environment.
Whoever appeals to the law against his fellow man is either a fool or a coward. Whoever cannot take care of themselves without that law is both. For a wounded man shall say to his assailant, 'If I live, I will kill you. If I die, You are forgiven.' Such is the rule of honour. With almost everyone repeating the word, the song kicked off. It was thrilling to hear this brilliant song live again. The song progresses slowly and goes into state of consistent frenzy and then drops down and continue its pace to dive again into bursts of euphoric drumming and singing which can only be justified with headache causing fast headbanging. To make matter more sinister, the next song they performed was called "Ruin". Motherfucking roller coaster of a poem written with drumming so genius that  it will make the Devil himself ask the question, "who the fuck is this Drumming Devil?" Ladies and gentlemen that is Chris Adler for you. Despite him being so scrawny looking, the power packed by this piece will blow you like a grenade thrown right onto your face. I was perspiring like a marathon runner after completing the entire race, with my heavy jacket and this kind of entropy it was hot as hell inside the hall. They performed another song called as In your words following the Ruin without any break. I rested for the most part of this song, it is your usual LOG song, nothing special about it but nevertheless a good song. They all gathered around and start throwing sticks and plectrums and starting thanking and shit. I was like woah, they have not performed a hell lot of signature songs, what the fuck is happening?
Lights went out and some kids were starting to slip away, one of the biggest problems with extreme metal moshpit crowd is that they exhaust all their energy and enthusiasm by the time best of the lot is still not not over. I was waiting here and even the chants were not as energetic as you would expect for encore. Anyway they returned back after a bit of time. Randy started talking again about how awesome the England is and then he talked about the band huntress, which is from LA and touring with them and said they have the only good looking member in the whole group. Then he talked about Decapitated, who are from poland and one of the best and most respected act in the whole death metal Genre. After a bit of talking Randy asked how many people want him to shut the fuck up, LOL! The next song they performed was "Vigil", one of my favourite songs, after seeing them three times before, this is first time I have seen them perform Vigil. Oh the starting line of "Our Father thy will be done" and then the second line "We have denied this life its worth" and the drum and guitar that follows with every chorus. This was sex served on a toasted crumpet. Totally Loved that song, every second of it. Randy's intense singing and simple riffs and complex leads makes it my absolute favourite. The song followed another classic "Laid to rest". All songs were performed with absolute brilliance. Randy now stops and starts talking to the crowd. First he asks how many of you are from London? and how many of you are outside the London? How many of you are England? Then he points at John Campbell and asks him if he is from England. John was like NOO!!! Then he says it doesn't matter where you guys are from, but you guys are bunch of Rednecks!!! This when all the hell break loose. Entire crowd goes into the berserker frenzy, with first drum beats the heads starts rolling like a propeller the push the shove and the trampling is all back. HOOOOOOOOO!!!!!!!!!!!!!!!!! THIS IS A MOTHERFUCKING INVITATION!!!!! THE ONLY ONE YOU WILL EVER GET!!!!!!!! HOOOOO!!!!!!!. With each beat blasts the moshpit gets crazier and crazier. One of the best experiences I ever had in a rock concert. Inspite of this feeling of getting exhausted and passing out, I was still performing with all my reserve energy. This songs makes you believe in the devil and how has he blessed Chris Adler with skills that makes most drummers fade in comparison. The wall of death was closing in as the song ended and I was somewhere at the periphery of this unstoppable brutality. At the end of the song, someone dressed as panda was crowd surfing. The bassist was pointing Randy towards Panda, who kept missing the panda, but they were laughing like crazy about the whole panda thing. I thought that must be it, but the next song was Black label. This was getting totally unholy. The brutality was not not stopping, it was just getting stronger and stronger. It was just ridiculous how good this gig was getting by every fucking song. But I knew this would be last. The headbanging continued inspite of the fact that I couldn't feel my neck and my throat was hoarse, I didn't had any fluid in last few hours and I was drenched in sweat. I stood there in order to get either a plectrum or something when they finished. It was like a breather after the dust has settle after a monstrous battle. As I was leaving the place, I was thanking the devil as he has shown me the right path to actually come for this concert inspite of the fact that it seemed a bit too much to watch LOG for the third time, but it was best 19.50 £ ever spent.